Review: PUMP by Valentina Khodnevich
Written by Harry Peg
In the realm of contemporary video art, Valentina Khodnevich’s PUMP emerges as a compelling exploration of the human body’s sculptural and kinetic potential. Released in October 2024, this video art piece delves into the intricate geometry of movement, seamlessly blending contemporary choreography with an architectural perspective.
Khodnevich, a London-based video artist with a background in art and design, plastic theatre, and filmmaking, has consistently demonstrated a penchant for experimental media and narrative storytelling. Her previous works, such as Sun and NIEB, have showcased her ability to intertwine human behaviour with visual artistry. In Sun, she celebrated everyday routines through cyclical 16mm dance sequences, while NIEB offered a poignant metaphor on the ongoing war in Ukraine and the complexities of national identity.
In PUMP, Khodnevich collaborates with movement director Jasiah Marshall and dancer Kasia Kuzka to transform the human form into a dynamic sculpture. Their performances emphasize symmetry and the poetic qualities that emerge from choreographed motion, creating a visual dialogue between the body and space.
The film’s aesthetic is further enriched by sculptural garments from London label HARRI, which serve as striking art pieces within the setting. These garments complement the metallic frameworks of Mexican artist Pedro Resendez, whose geometric designs echo the choreography, weaving a cohesive narrative that bridges human motion and architectural aesthetics.
Khodnevich’s direction reflects on the universal geometry connecting our surroundings and anatomy. Imagery of hands shaping strings underscores the body’s adaptability, positioning PUMP as a meditation on the fluidity of form and the intersection of art, design, and human experience.
The film’s visual language is further enhanced by its use of 16mm film, lending a tactile quality that complements its thematic focus. This choice aligns with Khodnevich’s previous work, such as Sun, where she employed similar techniques to explore human routines.
PUMP has garnered critical acclaim, recently being shortlisted for multiple awards and securing the Silver Winner position at One Point Four’s 2025 Awards. This recognition underscores the film’s innovative approach to video art and its resonance within the contemporary art scene.
For a more in-depth analysis, the upcoming issue of Iconoclast Magazine will feature parts of this piece & some other writings about PUMP. Readers interested in exploring Khodnevich’s work further can visit her director’s page for additional information and insights.
IN PRINT/ONLINE CREW CREDITS
Director - Valentina Khodnevich
Creative Director - Yiling Zhao
Producer - Lucio Martus
DOP - Luke Dryden
Focus Puller - Peter Swinford
Loader - Bertie Searles
Gaffer - Al Rice
Make Up Artist - Mai
Fashion- H A R R I
Costume Assistant - Lauren Morley-Aistrop
Stylist Assistant - Anya Levitova
PR - Indera Tamara
PR Assistant - Una Lote Andžāne
Movement Director - Jasiah Marshall
2nd Dancer - Kasia Kuzka
Hand Model - Ingrid Liew
Editor - Luying Dong
Composer - Isaac Dossena Cook
Colorist - Anton Zimmerman
1st AD - Sibylle Aries
PA - Oli Jenson
Runner - Andres Panduro
DV Camera Operator - Luca Vannucci
Graphic Design - Arsen Mollakaev
Installation - Pedro Resendez
Special Thanks to Indera Tamara, Bubble TV
Location - Ladbroke Hall
